75 results where found for «Pagar��s (El humo del cigarrillo)»


Recinto: Campo de Prisioneros de Valdivia / Gimnasio Banco del Estado / Actual Gimnasio CENDYR
There are no testimonies about this detention centre.
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Recinto: IV División del Ejército/ Guarnición Militar, Valdivia
There are no testimonies about this detention centre.
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Recinto: Casa del Deportista, Punta Arenas
There are no testimonies about this detention centre.
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Recinto: Regimiento de Infantería Nº 11 Caupolicán, Tierra del Fuego, Porvenir
There are no testimonies about this detention centre.
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Renato Alvarado Vidal
Experience in:
« During the last third of the 20th century, the concentration camps of the Chilean dictatorship were characterised by a high grade of organisation among prisoners, as well as the overflowing creativity they applied to all areas of human ingenuity. »
[...]
« King Ñaca Ñaca (El rey Ñaca Ñaca) »
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The Paper Boat (El barco de papel)

Music piece by:
Julio Numhauser, popularised by the band Amerindios
Testimony by:
Carlos Muñoz
Experience in:
« One of the most important songs in the detention centres. Impossible to count how many times we sang it. Every time someone was released from a detention camp or there was credible information that a person would be sent into exile, a gigantic chorus would sing this song, in a powerful unison. No one could possibly forget it. Especially significant at Tres Álamos, as this was the “exit” camp. »
[...]
« The Paper Boat (El barco de papel) »
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The Paper Boat (El barco de papel)

Music piece by:
Julio Numhauser, popularised by the band Amerindios
Testimony by:
José Selín Carrasco Vargas
« While we were imprisoned in Melinka, this song was sung every time that one of us was released. I remember a fellow prisoner nicknamed Bigote Molina (Moustache Molina) singing the song when we were going to Tres Álamos, from where we would be released a few days later. »
[...]
« The Paper Boat (El barco de papel) »
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The Black King (El rey negro)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« One cold winter night of 1975, the small clinic of Melinka, in the Puchuncaví Detention Camp, became the setting for a touching story. »
[...]
« The Black King (El rey negro) »
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A Cocky Fellow (El puntúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« This cueca was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« A Cocky Fellow (El puntúo) »
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The Man Who Transformed into an Animal (El hombre que se convirtió en animal)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. »
[...]
« The Man Who Transformed into an Animal (El hombre que se convirtió en animal) »
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